Phototrend published two new interviews with Fujifilm representatives from CP+ 2024. Here are the recaps by FujiAddict:
Fujifilm X Interview Summary
The Fujifilm X-Pro series hasn’t been discontinued but they can’t say when we will see Fujifilm X-Pro4.
X-T and X100 cameras are not enough for Fujifilm’s pure photography audience.
Fujifilm has a lot of expectations for the X-Pro4
Fujifilm X-E isn’t discontinued either, but they can’t speak about the Fujifilm X-E5 yet.
Sports photography is a tough market that Fujifilm has just started trying to break into, but feedback has been positive.
Fujifilm has announced the development of second-generation lenses like the XF16-50mm f/2.8-4.8 and Fujifilm will continue to strengthen its lineup.
Fujifilm isn’t considering Bayer sensors because X-Trans has unique advantages suppressing moire and chromatic aberrations.
Photographers wanted IBIS and REALA ACE for the X100VI and Fujifilm made it happen
The IBIS in the X100VI is the smallest and thinnest IBIS unit yet
The IBIS in the X100VI is 6mm thinner than the X-T5
Fujifilm uses image data to improve IBIS like live view that improves the precision of stabilization
Fujifilm considers the X100 design to be the perfect template so they don’t see a point in changing much, but they did increase the grip size a little for better grip.
The Fujifilm X100VI has AF equal to the best 5th-generation Fujifilm cameras.
Fujifilm released a limited edition X100VI to celebrate its 90th anniversary and it has nothing to do with how popular and collectable the X100V became.
Fujifilm doesn’t want to over do their limited edition products but maybe for the 100th anniversary, they will do another.
Fujifilm GFX / Wildlife Sports Interview Summary
Fujifilm is satisfied with the launch of the Fujifilm GFX100II because both professional photographers and filmmakers have adopted it.
The GFX100 II from a sales standpoint exceeded Fujifilm’s expectations.
The Fujifilm GFX100S also remains very popular since its price has been lowered.
Fujifilm has never calculated its market share of medium format, but they quickly became the standard so they guess they are number one.
Since APS-C and Full Frame are now around 40-60MP Fujifilm is focusing on 100-megapixel medium format sensors.
Camera ergonomics are very important to Fujifilm and they feel the switch from a shutter speed dial to a camera dial was a positive one.
Fujifilm believes it is time for the GFX to take on wildlife and sports, which is why they announced the GF500mm f/5.6.
Smaller sensors allow for more compact telephoto designs, but they are pretty much the same design on medium format, especially the front element so why not?
The GF 500mm f/5.6 will be a large lens, but the AF elements will be as compact as possible.
The most difficult lens to design for GFX is tilt-shift because the image circle is huge so it took them more than 4 years to design.
Fujifilm thinks PSAM dials are faster for photographers even though vintage dial-based cameras are coming back in a big way.