Lensbaby announces new and improved Composer Pro II with Edge 50 Optic

Lensbaby-Composer-Pro-II-with-Edge-50-Optic-lens
Lensbaby announces new and improved Composer Pro II with Edge 50 Optic available for Canon EF, Nikon F, Sony Alpha A, Pentax K, Fuji X, Sony Alpha E, Micro 4/3rds, and Samsung NX mounts. The price is $425.

Additional information:

Composer Pro II with Edge 50 Optic is a high-quality, 50mm f/3.2 upgraded metal-bodied tilt lens that lets you control depth of field in-camera for an authentic, immersive shooting experience. Photographers can use the lens to create images with a sharp slice of focus bordered by silky, smooth blur. The lens body swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Using selective focus, shooters can lead the viewers’ eyes on a unique journey through landscapes, close-ups, miniature effects, street photography and food photos.

Composer Pro II with Edge 50 Optic product highlights:

  • 50mm f/3.2 flat field of focus optic that when tilted creates a slice of sharp focus, bordered by blur.
  • Shoot with the lens pointed straight ahead for images like those shot with a high-quality prime lens.
  • New Composer Pro II lens body features an upgraded metal body for precise tilt and focus control.
  • Perfect for landscapes, street-photography, close-ups, miniature effects and food photography.

Composer Pro II with Edge 50 Optic specifications:

  • Focal Length: 50mm
  • Aperture range: f/3.2 through f/22
  • 9-blade internal aperture
  • Flat field optic (creates a slice of sharp focus)
  • Minimum focusing distance: 8” from the front of the lens
  • Maximum focusing distance: Infinity
  • Focus Type: Manual
  • Size/Weight: 3.25” (8.25 cm) high x 2.5” (6.35cm) wide / 10 oz (283.49 g)
  • Tilt: up to 15 degrees
  • Compatible with the Lensbaby Optic Swap System
  • 8 multi-coated glass elements in 6 groups
  • 46mm filter threads

Sample photos:

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  • Judging by the images, this is getting much closer to a proper tilt-shift lens.

    I didn’t like my original ‘composer’ because of the softness and it really was only a spot that was somewhat sharp-ish.

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