

WANDRD launched two brand-new camera backpacks: PRVKE Zip and PRVKE Pocket. Both models are available in 21L & 31L and are available in Black & Wasatch Green:
- US: B&H Photo
- Worldwide: WANDRD store


WANDRD launched two brand-new camera backpacks: PRVKE Zip and PRVKE Pocket. Both models are available in 21L & 31L and are available in Black & Wasatch Green:




Mandler opened their online store, where you can now buy the Mandler 35mm f/2 “Seven Elements” lens for Leica M-mount (previously reported here):
They also sell accessories for the new lens:
The Mandler 35mm f/2 lens for Leica M-mount is a replica and a complete reproduction of the optical formula of the original Leica Summicron 35mm f/2 seven-element lens. The name “Mandler” is a tribute to Walter Mandler, who designed many legendary Leica lenses.
Mandler is expected to launch another new lens in July. In the future, they are planning to release 3-4 new lenses per year.
Additional information can be found here:
The new Ricoh GR IV Monochrome camera is now in stock at B&H Photo.
Additional information on the Ricoh GR IV Monochrome camera can be found here:

Here are the top 10 most used Nikon cameras on Flickr:
Source: Flickr, via NikonRumors

Here is a recap of the latest Fujifilm X‑Pro 4 camera rumors (the Fujifilm X-Pro3 was officially discontinued in 2023):

Additional information on the upcoming Tamron 35-100mm f/2.8 DI III VXD lens (Z/E):
Additional information on the upcoming Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z-mount
Additional information on the Otus ML 35mm f/1.4 lens for E/Z/RF mount (see also the current Zeiss 1.4/35 and 1.4/50 lenses):
Additional information on the upcoming Otus ML 35mm f/1.4 lens for Nikon Z-mount

The new TTartisan AF 35mm f/1.8 II orange “Pop-Limited” edition lens for E/X mount is now available at:
Additional information on the TTArtisan 35mm f/1.8 II lens can be found here:

I received the following (unconfirmed) Canon EOS R3 Mark II camera rumors (replacement for the current EOS R3 model):
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Every professional archive has them: those “near-miss” frames where the composition is perfect, but the technical execution hits a wall. Perhaps it was a handheld shot that suffered from slight motion blur , or a low-light wedding scene where high-ISO grain began to erode the fine micro-textures of the bride’s lace. Traditionally, these compromises were accepted as the physical limits of our equipment.
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What makes this particularly relevant in a professional workflow is how effectively it extends the practical reach of existing lenses and sensors. I found it especially useful in situations where getting closer to the subject wasn’t possible and a heavy crop was unavoidable. In many cases, crops in the 50% or 70% range would normally strip away fine-frequency details, but here the AI-generated data helps reserve depth and structure. The result feels less like digital interpolation and more like I’m shooting with a higher-resolution sensor, allowing me to refine my composition after the fact without sacrificing the “raw-like” depth of the shot.
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With a full lifetime license, you’ll enjoy: